![]() ![]() ![]() “The same person who jams out to ‘Florecita Rockera' can do so to ‘Ponerte en Cuatro.’”Įcheverri agrees, saying their styles complement each other like night and day. “That experience at the Fillmore left a very good taste in our mouths,” says Torres, who adds that the bands offer contrasting moods that audiences can enjoy. It wasn’t until April 2018, though, that they gave into their kinship and played a joint show at the Fillmore Miami Beach, to marvelous results. Throughout the years, both bands have played at the same festivals and shared a fondness for each other. Living in Latin America, you listen to American and Argentine music you hear in stores while shopping, but you also listen to the salsa and cumbia your parents loved in their youth.” “That’s how you get a song like 'Bolero Falaz' and what makes Latin rock so special,” lead singer Andrea Echeverri says. Their sound blossomed from Latin rock to a modern fusion of psychedelic Latin pop. Their spectrum of influences ranges from boleros and rancheras all the way to hardcore and folk. “I think what he saw in us was that we were exploring the idiosyncrasy of Venezuela much like he was doing with American culture,” Torres says.Īterciopelados, too, became well known for their versatility. Los Amigos Invisibles’ success reached far beyond Latin America and into the ears of David Byrne, who signed them to his label, Luaka Bop, in 1997. ![]() “Regardless of how different our music is, both bands represent an important moment in the history of Latin American alternative music.” The latter is a Colombian rock band specializing in punk and the native folk sounds of its Andean homeland.īut though their styles differ, both rose to fame during a '90s peak of what José Rafael “Catire” Torres, bassist for Los Amigos Invisibles, calls an “MTV Latino boom.” The former is a Venezuelan group that plays tropical pop spiked with funk, disco, and acid jazz. Enanitos Verdes – “Lamento Boliviano”ġ4.What do Los Amigos Invisibles and Aterciopelados have in common? Heroes del Silencio – “Maldito Duende”ġ0. Luis Alberto Spinetta – “Muchacha Ojos de Papel”ĥ. This is around the time that Molotov (Mexico) introduced us to their unapologetic rap-rock, Los Amigos Invisibles (Venezuela) began to make us dance with their “pura gozadera,” Illya Kuryaki and the Valderrama (Argentina) blessed us with their cool funk, Maldita Vecindad (Mexico) made us kick and jump to their ska-punk, and Robi Draco Rosa (Puerto Rico) presented us to his soulful indie jams.įast forward to today, in a world that is primarily dominated by reggaeton and Latin pop, artists such as Alejandra Guzman, Shakira, Juanes, Bomba Estereo, Y La Bamba, and Natalia Lafourcade continue to keep Rock en Español alive with their own unique twists.Ĭheck out a list of timeless songs that best sum up the Rock en Español genre evolution.ģ. It was then, in the ‘70s, that the genre was coined as “Latin Rock.” During that same decade, Argentines Charly Garcia and Luis Alberto Spinetta became two of the key artists that formed the “Rock en Español” movement, opening the doors to many popular acts today.Įxperimenting with pop, new wave, heavy metal, and punk, the genre boomed in the ‘80s with the formation of bands such as Heroes del Silencio (Spain), Hombres G (Spain), Los Prisioneros (Chile), Soda Stereo (Argentina), Caifanes (Mexico), and Enanitos Verdes (Argentina). Rock en Español began to get international notice towards the end of the ‘80s and early ‘90s when bands such as Aterciopelados (Colombia), Cafe Tacvba (Mexico), La Ley (Chile), Bersuit Vergarabat (Argentina), and Mana (Mexico) came out to play.Īlthough the genre was at its peak during this decade, a new wave of rock artists continued to revolutionize the genre while changing the game. Meanwhile, in the U.S., Mexican-American guitarist Carlos Santana formed Santana, bringing to the forefront not only their music style that fused Latin American and Caribbean rhythms but also the Chicano Rock movement. We can also owe part of the genre’s birth to The Beatles, who with their rock-and-roll songs inspired many aspiring bands in countries such as Argentina, Spain, Peru, and Brazil. Due to the song’s success, Mexico became one of the first countries to introduce the new wave of Latin American rockers, such as Teen Tops. One of the first pioneers of the genre was Chicano rock artist Ritchie Valens, who adapted a Mexican folk song and fused it with rock melodies, releasing “La Bamba” in 1958. Hispanic Heritage Month: This Bachata Evolution Shows How 'Music of the Barrios' Changed the Game
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